A few weeks ago Netflix offered me a free month a viewing.
With Fall schedule not yet on the horizon, I took
them up on it.
One of my first video choices was
the remake of
Footloose, a
movie I had
enjoyed long ago. As the
month ended I decide to
revisit
the original 1984
version and see how the
two
compared.
There
was a brief point in
time
when I lived and
breathed film. I
was in a movie
group, small but
with its own share
a drama. I
learned a
lot there, not
only technical
things, but
about choices.
And indeed,
movie making,
be it
film or
machinima is
all about
deciding among
alternatives.
As I watched Kevin
Bacon, and
later
to become Sex
in the City
star
Sarah Jessica
Parker, I found I
preferred
the original movie.
It wasn't the
cinematography; the
fake
mountains were
fairly
distracting.
It wasn't the
acting.
The
difference was
partly in the
script,
but mostly in
the director's
decisions.
Filming
is about
telling a
story, be
it a wistful
poem or an
epic --
well in
machinimatic
terms --
adventure. Your
viewers
need to know the
characters.
They need to
be able to put
themselves
in the red boots
or scuffed
sneakers,
to
understand the
protagonist's
motivations, to
feel the joys
and sorrows
of the
performer and
believe for a
moment that
they are
one with those
that move
upon the
screen.
Movie making
covers plenty
of ground;
filming and
editing rank
high in
importance.
You need
footage,
farsightedness and
discrimination
for the work
to blossom
into your
vision. Striking
camera angles
help of
course.
But
mainly you
need
sensitivity,
understanding
and the
willingness to
let the
viewers see
your
characters as
they honestly
are.